Spigot Lips

Thomas F. Zuber asked:


Creation of the Right of Publicity in California

The “right of publicity” is generally defined as the right to control or prevent the unauthorized use or commercial exploitation of one’s name, likeness, voice or “personality.”[1] The right of publicity evolved from the right of privacy, which itself has evolved dramatically over more than a century. In 1890, Samuel D. Warren and Louis D. Brandeis published a seminal article in the Harvard Law Review entitled The Right to Privacy,[2] in which they argued for a remedy for those injured by unauthorized public disclosure of truthful but embarrassing private facts.[3]

By the mid 1900’s, some courts and state legislatures had adopted some elements of the Brandeis-Warren theory. However, the question arose as to how to apply these rights to celebrities who had voluntarily and affirmatively sought the spotlight.

Second Circuit Judge Jerome Frank answered that question in 1953 when he coined the term “right of publicity” in the case of Haelan Laboratories Inc. v. Topps Chewing Gum, Inc. [4] The Haelan case asked whether a baseball player could assign exclusive rights to produce a card with his photograph on it to one single baseball card manufacturer.[5] The court determined that prominent persons do possess a “right of publicity”[6] which was an assignable interest, unlike the strictly personal – and therefore non-assignable — right to privacy.[7]

Judge Frank’s opinion was followed by a prominent article by Professor Melville B. Nimmer that analyzed the right to publicity as an assignable property right.[8] Nimmer explained that a mere right to privacy did not sufficiently address the issues unique to celebrities; while the right to privacy protected individuals from indignity and embarrassment, the right to publicity dealt with a celebrity’s ability (and, theoretically, anyone’s ability) to protect the commercial value of his or her image and identity.[9]

California first codified the right of publicity in 1971, when the California legislature enacted Civil Code section 3344, which enables recovery by any living person whose name, photograph, or likeness has been used for commercial purposes without his or her consent.[10] California courts have recognized both the statutory and the common law right of publicity. [11]

 However, both the common law and statutory rights of privacy were only available to living plaintiffs; the right was not freely descendible and thus expired by operation of law upon the death of the person claiming the right.[12] This very issue lay at the heart of two seminal companion cases decided in 1979: Lugosi v. Universal Pictures[13] and Guglielmi v. Spelling-Goldberg Productions.[14] In those cases, the California Supreme Court determined that the heirs of deceased celebrities had no statutory protections against posthumous exploitation of the celebrity’s image.

In Lugosi, the heirs of actor Bela Lugosi (best known for playing the title role in the 1930 movie, “Dracula”) sued to enjoin and recover profits from Universal Pictures for licensing Lugosi’s name and image on merchandise.[15] The California Supreme Court upheld the decision of appellate court in finding that the right to exploit one’s name and likeness is personal and must be exercised, if at all, by him during his lifetime.[16]

Similarly, in Guglielmi, the California Supreme Court cited to and relied upon its opinion Lugosi in holding that Rudolph Valentino’s heirs could not obtain an injunction or damages from the defendant because Valentino’s right of publicity was not descendible under California law.[17] Because Valentino had not exploited his name and likeness during his lifetime, others could now use it without liability to Valentino’s heirs.[18]

Courts outside of California honored the Lugosi and Guglielmi decisions as well in applying California law. In Groucho Marx Productions, Inc. v. Day and Night Company, Inc.[19], the Second Circuit held that the rights of publicity were not descendible under California law. In that case, the Marx Brothers’ assignees sued a production company for interference with the assignees’ publicity rights; the production company incorporated three characters that strongly resembled the Marx Brothers in its Broadway musical, “A Day in Hollywood/ a night in the Ukraine.” The federal district court in New York had applied New York law, determining that New York recognized a descendible right to publicity and granting summary judgment to the plaintiffs.[20] The Second Circuit, however, reversed that decision, holding that the descendibility issue was governed by California law and as a result, the plaintiffs had no right to relief.[21]

Legislating a Post-Mortem Right of Publicity

The holdings in Lugosi and Guglielmi precipitated legislation designed specifically to create a statutory descendible right to publicity. In 1984, the California legislature enacted Civil Code section 990 (renumbered as section 3344.1 in 1999), creating a post-mortem right of publicity for “deceased personalities,” – individuals whose names, voices, signatures, photographs, or likenesses had commercial value as of the time of their death.[22] This legislation became effective January 1, 1985.

Section 990 explicitly stated that the right of publicity is a property right, “freely transferable, in whole or in part, by contract or by means of trust or testamentary documents” whether that transfer occurs before, by or after death of the personality.[23] The statute held that absent an explicit transfer of this right, it automatically goes to the statutory/ intestate heirs of the deceased (spouse, children, parents).[24] If the celebrity fails to transfer the right explicitly and dies without any statutory heirs, the right of publicity terminates.[25] Otherwise, the extended right of publicity would expire 50 years after the death of the deceased personality.[26]

In an attempt to maximally preserve First Amendment protections for creative outlets, the new statutory provision exempted from liability plays, books, magazines, newspapers, musical compositions, films, and radio and television shows that used a deceased celebrity’s likeness, name, voice, etc.[27]

 The registered owner of the posthumous rights to The Three Stooges comedy act relied on section 990 to obtain damages against an artist who reproduced his charcoal drawings of the act on lithographs and t-shirts.[28] The artist had claimed that his artwork was creative and transformative enough to warrant First Amendment protection against the plaintiff’s right of publicity claim, just like the specifically listed exemptions in the statute. The court agreed that when a work of art is so transformative that the value of the work derives primarily from the skill and creativity of the artist rather than from the fame of the celebrity depicted, the work may be protected by the First Amendment.[29] However, the court determined that Saderup’s depictions were more literal than transformative — a clear attempt merely to exploit the Three Stooges’ fame — and therefore First Amendment protection did not apply.[30] If Saderup wanted to continue to use these images, he needed to obtain the consent of the right of publicity holder.

However, that same list of exempt uses in section 990 posed new problems, exemplified in two main cases:

In Joplin Enterprises v. Allen,[31] a federal district court applied section 990 to find that a two-act biographical play about deceased singer Janis Joplin was not actionable. Joplin’s devisees alleged that the play constituted copyright infringement as well as misappropriate of Joplin’s privacy and publicity rights.[32] The court determined that section 990 applied only to unauthorized “merchandise, advertisements and endorsements,” and it explicitly exempted plays from liability.[33]

The Ninth Circuit similarly exempted an instructional dance video from liability under section 990 in Astaire v. Best Film & Video Corp.[34] In Astaire, the widow of famed dancer Fred Astaire sued a videotape manufacturer for using Fred Astaire’s image in a series of dance instructional videotapes – each tape opened with about 90 seconds of footage of Astaire. Mrs. Astaire claimed the company violated her statutory right to control the use of her husband’s name and likeness under section 990.[35]

The Central District of California agreed with Mrs. Astaire, finding that the company used Astaire’s image “on or in products, merchandise, or goods” in violation of the statute.[36] But the circuit court reversed and remanded, finding that the pre-recorded videotapes fell into the “film” exemption of section 990(n).[37] Indeed, the court determined that the film exemption applied even if the use was an advertisement or commercial announcement.[38]

The Astaire Amendment: Deleting exempt uses

After losing her difficult and expensive lawsuit, Mrs. Astaire teamed up with the Screen Actors Guild to sponsor legislation that would clarify and expand the post-mortem right of publicity. That bill, SB 209, passed in 1999 and became known as the “Astaire Celebrity Image Protection Act.”

 Most significantly, the Astaire Amendment eliminated the list of exempt uses of deceased celebrity likenesses, thereby substantially increasing the types of uses for which consent of the celebrity’s heirs is required. The bill also extended the descendible right of publicity from 50 years to 70 years following the celebrity’s death.[39]

Despite these amendments to clarify and expand the descendible posthumous right of publicity, there remained a gap in the law that was revealed by two similar cases regarding the posthumous rights of Marilyn Monroe: Milton H. Greene Archives, Inc. v. CMG Worldwide, Inc.[40] and Shaw Family Archives, Ltd. v. CMG Worldwide, Inc.[41] (collectively, the “Monroe cases”). When Marilyn Monroe died, she left the residue of her estate to her acting coach, Lee Strasburg, who, upon his death, left most of his estate to his wife, Anna Strasberg.[42] Anna Strasberg then transferred her interest in Monroe’s estate to Marilyn Monroe LLC, who licensed CMG Worldwide, Inc. to use Monroe’s images and likenesses.[43] In these two actions, CMG sued other parties for their unauthorized use of Monroe’s image.

In the Monroe cases, both courts interpreted section 3344.1 as prohibiting publicity rights from passing by will if the personality died prior to January 1, 1985.[44] In other words, the statutory descendible right of publicity did not exist when Monroe died, so, by operation of law, it could not have been a property right that she possessed upon death.[45] Because Monroe did not own this property right at the time of her death, she could not have transferred it in the residuary clause in her will.[46] Moreover, even if Monroe did possess the right, section 3344.1 only enables transfers to statutory heirs – Monroe had no statutory heirs, so her right would terminate in any event.[47] Both courts ruled against CMG on summary judgment.

The holdings in the Monroe cases had unsettling implications. Many deceased celebrities and their devisees left or transferred residual estates to charitable organizations, which relied in part on their ability to license the famous images for fundraising purposes. The Monroe holdings effectively removed from these organizations many rights they had relied upon. Reflecting these concerns, the federal district court for the Central District of California wrote:

The court reaches this conclusion with some reluctance because … at least some personalities who died before passage of the California … right of publicity statute[] left their residuary estates to charities, which will be “divested” of those rights under the court’s holding… As noted, however, nothing in this order prevents legislatures from enacting right of publicity statutes so as to vest the right of publicity directly in the residuary beneficiaries of deceased personalities’ estates or their successors-in-interest.[48]

 The 771 Amendment: Enabling retroactive transfers to residual estates

The California legislature wasted no time following the suggestion of the Milton H. Greene court. Merely six weeks after that opinion was published, State Senator (and former child actor) Sheila Kuehl[49] fast-tracked through the legislature[50] Senate Bill 771, designed specifically to clarify the scope of Cal. Civil Code section 3344.1 and to abrogate the decisions in the Monroe cases.[51]

The somewhat controversial SB 771 accomplished several goals. First, it explicitly stated that a deceased celebrity’s right of publicity applies to individuals whether or not they died before January 1, 1985.[52] The amendment deems, retroactively, that a deceased celebrity’s right of publicity existed and was transferable even if they died before the enactment of section 3344.1.[53] In the event the celebrity did not expressly transfer this right (and why would they, if they didn’t know it existed?), the right became part of the deceased personality’s residual estate and was transferred to whomever received those assets.[54] The resulting owner of that right has 70 years from the date of the celebrity’s death to control use of the celebrity’s image for commercial purposes.[55]

Despite the efforts to get SB 771 drafted and passed quickly, it still did not help CMG Worldwide and Marilyn Monroe LLC (“MMLLC”). On November 21, 2007, armed with the newly-passed SB 771, CMG and MMLLC filed a motion for reconsideration in the Milton H. Greene case, which the federal district court granted.[56] The court agreed that, due to the passage of SB 771, CMG and MMLLC did have standing to assert Monroe’s posthumous right of publicity under California law.[57] However, after a detailed analysis, the court determined that Monroe was domiciled in New York, not California, at the time of her death.[58] Because New York did not recognize either a common law or statutory posthumous right of publicity in 1962 and because, unlike California, New York has not passed a statute to recognize such rights retroactively, Monroe did not possess the right to publicity when she died and therefore could not have transferred it in her will.[59]

Right of Publicity Laws in Other States

 Though the right of publicity is derived from the Constitutional notion of the right of privacy, it is created and enforced via state laws. At least nineteen states have developed and passed a statutory right of publicity[60]; not all of them treat the right as descendible.[61] At least eleven other states only recognize a common law right to publicity.[62] The American Law Institute’s Third Restatement of Unfair Competition (1995), section 46, also recognizes the right of publicity as a separate legal theory.

The state of Indiana actually has the most comprehensive right of publicity statute on the books.[63] Enacted in 1994, Indiana’s law protects a deceased individual’s right of publicity for 100 years after his death and includes protections for the celebrity’s signature, photograph and gestures, as well as the more typical name, image and likeness.[64] Otherwise, Indiana’s law is similar to Cal. Civil Code section 3344.1.

 New York, on the other hand, gives celebrities a statutory claim against the use of only their “name, portrait, or picture…. for advertising purposes or for the purposes of trade.”[65] New York Senator Martin Golden and Assemblywoman Helene Weinstein presented SB 6005/ Assembly Bill A08836[66] to the New York Legislature. While early attempts were made to rush that bill through the New York legislature, the bill was halted, apparently due to concerns that it is overly broad in nature, posing potential conflicts with Constitutional rights and other rights.[67]

Potential Negative Implications of SB 771

The New York legislature’s hesitancy to rush right into endorsement of its bill — the identical twin to California’s SB 771 — reflects some of the real concerns about and potential problems resulting from SB 771.

Because SB 771 is retroactive in nature, it may grant rights to some people retroactively while taking away from others rights that they had relied upon by entering into contracts and otherwise lawfully exploiting certain images.[68] As a result, this area is certainly ripe for testing, with the strong possibility of some untenable judicial results and, subsequently, more statutory amendments.

 The statute attempts to preempt some future litigation by including this condition: If a statutory heir[69] exercised his or her rights to exploit a deceased celebrity’s likeness before May 1, 2007, and that exercise was not challenged successfully in court by a transferee of the celebrity’s residual estate, the residual estate transferees cannot use SB 771 to now come back and claim that right to publicity.[70] In fact, in this factual scenario, the residual estate is forever barred from claiming the right of publicity, which remains with the statutory heirs throughout the statutory period.[71]

 However, that statutory provision does not address what will certainly be the more common situation – when the transferees of a celebrity’s residual estate file suit for damages and an injunction against a person or company that lawfully used that celebrity’s image or likeness for commercial purposes long before enactment of SB 771. Due to the retroactive nature of SB 771, the residual estate could theoretically reach back many years and disgorge substantial profits from an entity whose use had been legal throughout that time, as well as permanently enjoin future use by an entity who may have built an entire brand around the use.

 Because the right to publicity differs so dramatically from state to state, and because there is so much overlap between right to publicity issues and issues dealing with trademark and copyright law, First Amendment protections, and other laws, several groups are pressing for Congressional enactment of a federal right to publicity law. The proposal by the International Trademark Association, for example, would amend the Lanham Act to add a federal right of publicity that would specifically preempt all state law, both statutory and common law.[72]

 The INTA’s proposed federal law does include a descendible and transferable right of publicity effective for a period of time after a celebrity’s death.[73] However, it also includes a provision that the California’s law lacks – a “grandfather clause” that protects the rights of prior users.[74]

Conclusion

Undoubtedly, California’s right of publicity statute remains on the frontlines of the evolution of this legal concept. As home to an abundance of celebrity’s, California’s statute is frequently tested and amended when those tests reveal a gap in the law. Senate Bill 771 represents only the latest step in the evolution, but it probably goes too far, creating more legal problems than it may solve.

As a result, SB 771 certainly will not be the last word on California’s statutory descendible right of publicity. Whether ultimately preempted by a new federal law or not, the California statute will need to address the rights of prior users who acted in reliance on their pre-SB 771 rights and are harmed as a result of this retroactive bill. Future litigation on this very issue, likely followed by yet another legislative amendment, is predictable.

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[1] See, e.g., Miller v. Glenn Miller Prod., Inc., 454 F.3d 975, 99. 988-989, n.6 (9th Cir. 2006).

[2] Samuel D. Warren and Louis D. Brandeis, The Right to Privacy, 4 Harv. L. Rev. 193 (1890).

[3] Id. at 213.

[4] 202 F.2d 866, 868 (2nd Cir. 1953).

[5] Id. at 867.

[6] 202 F.2d at 868.

[7] Id. at 868-869.

[8] Melville B. Nimmer, The Right of Publicity, 19 Law & Contemp. Probs. 203 (1954).

[9] Id. at 203-04.

[10] Cal. Civil Code. Section 3344(a). The statute exempts from liability uses made in connection with  news, public affairs, sports broadcasts or accounts, and political campaigns. Cal Civil Code, section 3344(d).

[11] Miller v. Glenn Miller Prod., Inc., 454 F,3d 975, 988-89, n.6 (9th Cir. 2006).

[12] Lugosi v. Universal Pictures, 25 Cal. 3d 813, 820-822 (1979).

[13] Lugosi, supra.

[14] 25 Cal. 3d 860 (Cal. 1979).

[15] Lugosi, 25 Cal. 3d at 817.

[16] Id. at 822-823.

[17] 25 Cal. 3d at 864.

[18] The implication is clear that had Lugosi and Valentino actually contracted with the defendants regarding use of their likenesses during their lifetimes, the heirs would have the right to enforce those contracts posthumously. In these cases, however the defendants were using the images without the benefit of a contract that related to use of the images.

[19] 689 F.2d 317 (2d Cir. 1982).

[20] 689 F.2d at 319.

[21] Id. at 323.

[22] Cal. Civil Code section 3344.1(h).

[23] (Former) Cal. Civil Code section 990(b) (now amended and renumbered)

[24] Id. at 990(d).

[25] Id. at 990(e).

[26] Id. at 990(g).

[27] Id. at 990(n).

[28] Comedy III Productions Inc. v. Gary Saderup, Inc., 25 Cal. 4th 387 (2001).

[29] 25 Cal. 4th at 407.

[30] Id. at 409.

[31] 795 F. Supp. 349 (W.D. Wash. 1992).

[32] Id. at 350.

[33] Id. at 351.

[34] 116 F.3d 1297 (9th Cir. 1997), as amended by 136 F. 3d 1208 (9th Cir. 1998).

[35] 116 F.3d at 1299.

[36] Id. at 1300.

[37] Id. at 1301-1302.

[38] Id. at 1302.

[39] Cal. Civil Code section 3344.1(g).

[40] Milton H. Greene Archives, Inc. v. CMG Worldwide, Inc. (unreported), (No. CV-05-02200MMM), 2008 WL 655604 (C.D. Cal. Jan. 7, 2008), summary judgment affirmed by Milton H. Greene Archives v. CMG Worldwide, Inc., ___ F. Supp. ___. 2008 WL 1922980, No. CV 05-2200 MMM (C.D. Cal. March 17, 2008).

[41] 486 F. Supp. 2d 309 (SDNY 2007).

[42] Shaw, 486 F. Supp. at 312.

[43] Id.

[44] Id. at 317; Milton H. Greene, 2008 WL 655604, at *1.

[45] Shaw at 319; Milton H. Greene, 2008 WL 655604, at *1.

[46] Shaw at 319.

[47] Shaw at 319; Milton H. Greene, 2008 WL 655604, at *1-2.

[48] Milton H. Greene court’s May 14, 2007 Order granting summary judgment in favor of plaintiffs, at 36:15-20, n.38 and n.80.

[49] The bill was drafted and sponsored by the Screen Actors Guild at the urging of CMG. It received strong support from the Cecil B. DeMille Foundation, the Marilyn Monroe LLC, the Motion Picture and Television Fund, [John] Wayne Enterprises and the California Labor Federation.

[50] The  bill passed through the California legislature on September 7, 2007 and was signed into law by governor Arnold Schwarzenegger on October 10, 2007. It took effect January 1, 2008.

[51] Section 2 of Stats. 2007, c. 439 (S.B. 771).

[52] Cal. Civil Code section 3344.1(b).

[53] Id.

[54] Id.

[55] Cal. Civil Code section 3344.1(g).

[56] Milton H. Greene Archives v. CMG Worldwide, Inc., ___ F. Supp. ___. 2008 WL 1922980, No. CV 05-2200 MMM (C.D. Cal. March 17, 2008).

[57] ____ F. Supp. at ____; 2008 WL 1922980 at *3.

[58] More specifically, the court found that authorized representatives of Monroe’s estate had repeatedly represented in various forums that Monroe was a resident of New York, not California, and was only in California temporarily for work, with no intent to remain in California.  The court performed a lengthy and detailed analysis to determine that CMG was barred by judicial estoppel from asserting that Monroe was domiciled in California and therefore possessed a right of publicity under California laws. 2008 WL 1922980, at *33 - *34.

[59] Id. at *3.

[60] These 19 are: California (Cal. Civ. Code section 3344 and 3344.1), Florida (Florida Stat. section 540.08), Illinois (Ill. Rev. Stat. ch. 765 section 1075/1 et seq.), Indiana (Ind. Code section 32-36-1 et seq.), Kentucky (Ky. Rev. Stat. Ann. Section 391.170), Massachusetts (Mass. Gen. L., ch. 214 section 3A), Nebraska (Neb. Rev. Stats. Section 20-202), Nevada (Nev. Rev. Stat. sections 597.770 - 597.810), New York (N.Y. Civil Rights Law sections 50, 51), Ohio (Ohio Rev. Code Ann. Sections 2741.01 et seq.), Oklahoma (Ok. Stat., Title 12, sections 1448 and 1449), Pennsylvania (Pa. Cons. Stat. Title 42, section 8316), Rhode Island (R.I. Gen. Laws sections 9-1-28 and 9-1-28.1(a)(2)), Tennessee (Tenn. Code Ann sections 47-25-1102 to 47-25-1107), Texas (Texas Prop. Code Ann. Section 26.001 et seq.), Utah (Utah Code Ann. section 45-3-1 et seq.), Virginia (Va. Code section 8.01-40), Washington (Wash. Rev. Code Ann. 63.60-010 et seq.) and Wisconsin (Wisc. Stat. section 895.50(2)(b)).

[61] The following states’ right of publicity statutes do not appear to grant rights after death: Massachusetts, Nebraska, New York, Rhode Island, Pennsylvania, Utah, and Wisconsin.

[62] They are: Alabama, Arizona, Connecticut, Georgia, Hawaii, Maine, Michigan, Minnesota, Missouri, New Jersey, and Oregon.

[63] Ind. Code. Ann. Sections 32-36-1 et seq.

[64] Id. at 32-36-1-7 and 32-36-1-8(a).

[65] N.Y. Civ. Rights Law sections 50 and 51 (McKinney 2007).

[66] The New York bill is essentially identical to California’s SB 771. Like SB 771, it was introduced immediately after publication of the Monroe decisions and was similarly backed by CMG. There were rumors that CMG had hired a lobbyist specifically to assist the bill’s expedition.

[67] “Marilyn Monroe Historic Legislation Halted – Surprise to CMG and MMLLC”, PR-inside.com, June 25, 2007, located at http://www.pr-inside-com/marilyn-monroe-historic-legislation-halted-r161341.htm#.

[68]David Marcus, attorney for the Shaw Family Archives, claims (without specificity) that SB 771 conflicts with California laws relating to wills and estates. New York intellectual property attorney Nancy Wolff asserts that the California legislature violated its own procedural rules when it rushed SB 771 through. (“California Adopts New Right of Publicity Law,” pdnonline.com, October 12, 2007 (located at http://www.pdnonline.com/pdn/newswire/article_display.jsp?vnu_content_id=1003658099). If either or both of these assertions are true, they would provide additional grounds for legal challenges to SB 771.

[69] Other than someone who was specifically disinherited by the deceased personality. Cal. Civil Code section 3344.1(o).

[70] Id.

[71] Id.

[72] See the INTA’s Adopted Resolution on the Federal Right of Publicity at http://www.inta.org/index.php?option=com_content&task=view&id=285&Itemid=153&getcontent=3.

[73] Id.

[74] Id.

charli jhonson asked:


Celebrity Blogs is a source of online entertainment that offers celebrity gossip, celebrity photos, or latest Celeb news; be it Hollywood or Bollywood. They also provide current scoop on their day to day lifestyle.

The net is simply loaded with all sorts of news, views and blogs. One can easily get lost in the sea of information without realizing which is true and which is not. Ever wondered why every one is so after the celebrity news and celebrity Blogs? Read on to find why…

We are so inspired of our celebrities. We love them; we **** them and want to find every single detail about them. Really, we simply can’t get enough of them. We admire them to a limit that we want to follow them and their style to perfection. It is probably the reason why paparazzi are getting wide spread. But have we ever taken time to wonder what impact our wishes and desires have on the lives of celebrities? It is about time, my friend, about time.

We have seen so many cases of celebrities creating a hype and stir using fake news pieces and ultimately gaining from the situation by getting popular on a Celebrity blog. But there also have been incidents in which celebrities have broken down completely and their careers have ruined because of some irresponsible people. People are in so much awe of their celebrities and stars that they will do anything to hear about the latest gossips, their affairs, break ups, children and anything they say or do in private. They are ready to go to any limits to simply get a glimpse of their beloved stars. The newspapers and magazines are cashing on the public’s interest. Their journalists pester the stars. They can publish any false piece of story to increase their sales. But, how do you think we can change this situation? By reaching for the truth behind the headlines. This is the common responsibility of the readers and the journalists as well.

The first step to ensure this is to disregard all the false sensational news which is being promoted for personal and selfish gains. Be it the celebrities, the newspapers and magazines or even the bloggers on net. Turn to the sites which report the best celebrity news with truth element in them. Oh! And you really don’t need the flowery and fancy words. Truth, my friend is what always prevails.

Blogging with responsibility and truth is what we preach and appreciate. It is what in the end actually makes the difference. Finding and locating the real news and expressing your views truthfully are sooner or later going to make a difference and truth always attracts. Let the celebrity blogs, be simply them selves, and don’t let your blogs being used for the un-deserved gain of others. Originality is also essential; and so is the style to charm the readers.

So, visit all the sites providing true and unique celebrity news and blog to all your heart’s content there. After all, it is your right to read and write as freely as possible, but responsibly.

Joel Owens asked:


3 words, 8 letters. Say it and I’m yours.

He loves her and she clearly adores him, but they are not together. She might be the girl of his dreams and he might be the only person she can rely on when things don’t go her way, but neither of them is willing to give in. Neither of them wants to be owned by the other.

Growing up in the same opulent circle of the Upper East Side Manhattan, Blair Waldorf and Chuck Bass have never been new to thrill of getting what they want at any cost. Both share a strong friendship which wasn’t strained by the fact that Chuck has a bad reputation for being a morally bankrupt womanizer and that Blair is no less than manipulative and spoiled. With them ruling their circle with Blair as Queen Bee and Chuck as the resident bad boy, could love be anything less than complicated between these two?

Love is definitely not a boring boy-meets-girl, girl-hates-boy, and boy-marries-girl for Blair and Chuck. Just when you think they are actually having their sweetest onscreen confession, one of them would spoil the moment and drive away the other until their apparently good relationship goes kaput. It’s self-sabotage really. It is pretty obvious that all they want is to be with each other, but because of their flawed characters plagued by insecurities, they always end up in the arms of another. This endless cycle has everyone asking the biggest Gossip Girl quiz to date: When will Blair and Chuck quit these mind games they play on each other?

The Blossoming Romance

Blair and Chuck have known each other since they were little. Although at a young age, both had already shown callous attitudes as evidenced by underage drinking, sex, and bitching out, the two have constantly had each other’s back. This friendship was reinforced by the fact that Nate is Blair’s boyfriend and Chuck’s best friend. Eventually, Chuck started seeing Blair as someone that he could actually love for real. Fate had turned their friendship into a romantic affair. Hence, Chuck was torn between pursuing his love for Blair and choosing Nate’s friendship. Chuck was trying to control his amorous feelings for Blair, but as the old bards said, Love is strengthened by obstacles. He was relieved of his clandestine feelings for Blair when he deflowered her at the back of his limousine. That was the fateful when Blair ended his relationship with Nate and Chuck decided to cross the bounds of friendship with Blair and jeopardized his friendship with Nate. Inevitably, Nate could never accept such a feat, and had a huge ruckus with Chuck for stealing his girl.

To Make the Gossip Girl Quiz a Major Teaser…

The quiz goes on. Just when everything seems romantic and leading to a happy ending between the two, Blair came back to Nate and leaving Chuck hurt and deprived. Gossip Girl immediately caught on the quiz and rumors about the Chuck and Blair’s steamy night inside the limo spread like wildfire. With this, Blair was enraged even more and as expected, left their would-be romance hanging in a dangerous balance.

Then, there’s also the cliffhanger. Chuck and Blair were supposed to go on a couple’s trip to Tuscany when Chuck stood her up for another girl. That time, the last string on Blair’s nerve twitched. Instead of moping around, she went off wandering in the arms of some rich British royalty.

Seeing Blair with another man really wounded Chuck’s usually cold heart. He then sought comfort in the arms of other women, but found himself unable to make love and for the most part, feel anything with and for another woman other than Blair. He tried to deny it, but the embers of his feelings for the only woman he ever loved continue to spark.

Chuck always said that he only needs three things in life—money, *** and his best friend Nate—but now, he finally knew what he would ever need to survive. Blair is the only woman he’ll ever need, ever desire and ever love.

When can we unearth the answer to the biggest Gossip Girl quiz?

After a series of more mind games and trials, Chuck and Blair finally laid down their cards. Chuck told Blair that they have one very unique set up and that the chase is the one thing that makes what they have more special. He added that saying those 3 words, 8 letter (or in our words, I LOVE YOU) is hard for them to utter because neither of them wants to lose in the game they’re playing. What makes saying it more difficult is the fact that they actually love each other. Deep in their hearts, they are afraid that those words might choke them into the usual boyfriend-and-girlfriend box that would obviously not do for them both.  In the end, Chuck and Blair decided to take things slow to figure out what they really mean to each other.

Love is sweeter the second time around, but would it be the same for Chuck and Blair? Will we be there to witness how, piece by piece, they’ll mend their broken hearts in each other’s arms? Will we ever get to answer this Gossip Girl quiz? When will they finally cut the chase?

We just have to keep on watching to find out. You know you want to.

supervideo2233 asked:

Hot entertainment news and celebrity gossip and scandal! Steve Guttenberg runs ***** through central park. Actor from Police Academy and Dancing with the Stars jogging ***** in park to train for NY marathon.

rabble rouser asked:


Some of the shows that I used to find tolerable - I don’t even watch TV anymore…

And now Yahoo News is loaded up with it too…

I don’t really care about which rich teenage girl took her panties off for some spoiled brat….
I don’t care who didn’t pay their parking tickets…

I especially don’t care about reality shows…

I don’t give a hoot about who gained a few pounds…

Do people really take enough interest to warrant making the rest of us deal with all this stupidity?

mcolon1210 asked:


I already read:
perezhilton.com
tmz.com
mediatakeout.com
imnotobsessed.com
Are there any other ones just as good out there?

Danny G asked:


Is it just my wishful thinking or has anyone else noticed?

Andy Moquin asked:


When designing your own engagement ring, it can be useful to look at the latest celebrity engagement rings for the most recent trends and ideas. This can be especially useful if there are celebrities out there who have a style you admire. While you may not have the unlimited finances of some celebrities, you can certainly adapt some of their engagement ring designs.

These recent and not-so-recent celebrity engagement rings are all worthy of a mention:

* Portia de Rossi is the latest celebrity to be wearing a sparkler on that finger. Yes, she and Ellen De Generes are planning on marrying soon. Portia’s engagement ring features a central marquis diamond surrounded by pink diamonds.

* Ashlee Simpson has an engagement ring that is beautiful in its simplicity. Ashlee’s ring is a square cut diamond (probably Asscher) with many smaller diamonds set around this to maintain the square style. The platinum band also is inlaid with multiple small diamonds. While Ashlee’s ring is new it is certainly reflective of the growing trend for square settings and vintage inspired engagement rings.

* Mariah Carey has never made any secret that her favorite color is pink. Not surprisingly, her engagement ring from Nick Cannon features 58 intense pink diamonds coming in at a hefty 17 carats. The rumored value of this enormous engagement ring is $2.5 million. Mariah’s ring is very much a vintage inspired setting with a square central setting surrounded by smaller diamonds. The pink diamonds give this almost Art Deco inspired ring a contemporary feel.

* Jessica Alba has a platinum set 4 carat solitaire Asscher diamond. The square setting and the platinum is a very elegant and classic design.

* Eva Longoria Parker. This desperate housewife has a far from suburban engagement ring. Her platinum engagement ring features 3 emerald cut diamonds in a very simple but contemporary design.

* Scarlett Johanssen has a unique sense of style. This girl has chosen a solitaire ring with a roundish stone set in a bezel setting on a gold band. No platinum or square settings in sight.

* Carmen Electra has a black diamond as her central stone. This makes for a very striking engagement ring.

* Katie Holmes may have been married for a while but her engagement ring is still worthy of a mention. Katie has a 5 carat flawless round solitaire diamond as her central setting. Interestingly, the diamond is set in rose gold which contrasts nicely with the platinum band. Around the central stone is a beautiful pave setting of smaller diamonds.

The latest celebrity trend for engagement rings are very much platinum, square settings, vintage inspired, and colored diamonds.

Designing your own engagement ring gives every girl the chance to feel like a superstar. Have a celebrity inspired engagement ring custom made at a fraction of the celebrity price tag. Find the celebrity engagement ring of your dreams and have your custom jeweler make it up for you in a more realistic price range. Your jeweler will be able to advise you on how best to replicate a celebrity engagement ring and keep within your own budget.

Sonya Kaneel asked:


Not just an interesting face, but the truth beneath the skin makes someone authentic. Who is authentic? None other than the immensely talented and rising star James Holzier. Celebrity sites across the net are profiling Holzier, including ***** and Hunks who lists him as one of the sexiest celebrities and Hunk Star, followed by Hunky Male Celebs, just to name a few. Holzier is the #1 searched for celebrity in the world on MenCelebs.com Was one of the most searched for celebrities in the year 2006 and 2007. All of this of course is only growing as the profile of James Holzier will begin to sink in with his rising reputation. The positive word is spreading about James through the Hollywood grapevine.

You may not have caught one of his earliest roles, Dreams in the Attic alongside Haylie Duff in 2000, but here is some background information so you can get to know this rising star.

Born in Fairfax, Virginia on August 11th. Holzier was given no chance of survival by doctors in Fairfax Hospital in Fairfax, Virginia. Holzier was strapped to life lines in the first months of his birth. Doctors and medical staff alike were pessimistic on his survival. Months later Holzier was released from the hospital. In his young life, Holzier was involved in a fire accident where he received burns to the left side of his face. Young James remained optimistic while doctors informed him he would have permanent scars. Luckily, he bears no scars today.

Holzier showed acting potential at a young age when he landed commercial after commercial, but he preferred to concentrate on Shakespeare. Among his many stage credits. Holzier’s theater experience includes the title roles in Shakespearean plays such as, "Romeo and Juliet", "Hamlet" and "Othello." He stood out not just because of his roles, but because of his presence. With the growing passion in acting this eventually lead him to two made for TV movies.

Holzier was offered a host of parts which he could have chosen that would have led him to instant stardom. This included a role in the movie The Postman, in which he would’ve starred alongside Kevin Costner. James’ reasoning for turning down the role? He had already committed to his high school play, "Look Homeward, Angel." Holzier followed his own path and his instincts, operating on his intuition. He wanted to wait until the timing was perfect to make his big break.

The one thing noticeable about Hollywood star-on-the-rise James Holzier is his focus and joy for life, far more so than the norm. It is through this and more that James Holzier is developing a large following and garnering the respect of his peers. Often called a symbol of hope as one fan refers to him. "He makes me believe in myself," says Rickki Donovan of St. Louis, Missouri. With this growing appeal branching out to a wide spectrum, you can be certain young and middle aged female admirers alike are taking note.

Fan Clubs for James Holzier are beginning to emerge already. Girls seemingly doing everything in their power to catch his eye. Juicy UK, one of the top celebrity gossip sites in the United Kingdom has already called him one of the next big things in Hollywood, along with Girl Power in Australia who is netting him as a rapidly rising star.

Whether it is an International Fan Day, or a large growing fan base. Whatever is next for Holzier is undoubtedly a bright future. One thing is for certain, it certainly will be on his own terms. James Holzier is no doubt on the verge of stardom and we will be cheering all the way.

patrickreklaw asked:

Rumors, heard and or started on set